Boston has tons of statues, but only a select few are giant heads rising from the ground. The other day, we went on a tour of the city to take a look at some of these bad boys and girls:
The big scaly head on Seaport Boulevard
We started in the Seaport with Boston's newest giant head. Okuda San Miguel's "Mythology: Being 1" was installed last year on Seaport Boulevard at Fan Pier Boulevard as part of the Spanish sculptor's Air Sea Land series at several Seaport Boulevard intersections.
A bird rests atop a human head with fish scales floating in a puddle of water. The sculpture suggests that both mankind and the animal kingdom can influence each other and adopt each other’s characteristics. We are reminded of the delicate ecosystem we belong to and subsequently impact.
Ashmont's snoozing moon
Next, we headed down Dorchester Avenue to Ashmont in Dorchester. Just before the T stop, there's a small plaza, with a giant sleeping head:
"Sleeping Moon," by Joseph Wheelwright of Uphams Corner, was installed in 2010, as part of extensive renovations to both the T station and the neighboring Peabody Square:
The moon, the original timepiece, seemed a good companion to the much-loved iron clock in Peabody Square. "Sleeping Moon" 'floats' close to the ground atop a mirrored post, as if waiting to assume the heavens. Its light green patina surface with black and gold details is alive with craters, mountains, and rivers, inviting viewers to examine the details on all sides.
Roxbury's giant head
Over on Crawford Street, across from Hollander Street, in Roxbury, another giant head sits next to the National Center of Afro-American Artists:
Installed in 1987, Roxbury native John Wilson's "Eternal Presence:"
Symbolizes the abiding creativity and spiritual strength of black people since the birth of civilization in Africa, humankind's original home.
Big baby heads in the Fenway
On the Fenway/Muddy River side of the MFA, you'll find two giant (as in eight-foot-tall) baby heads, one "Night" and the other "Day" (one with its eyes closed, one with them open) both by Spanish painter and sculptor Antonio Lopez Garcia (hmm, what is it with Spaniards and giant-head statues?). Installed in 2008, they both honor his granddaughter, Cameron.
Now, if you ever get to feeling sorry for the big baby heads in the winter, because they look so cold, sorry, but the MFA frowns on you knitting caps for them, and will remove them as soon as possible, as roving UHub photographer Steve Chase discovered a few years ago.
Abstract maestro on the Esplanade
Down on the Esplanade, in contrast, the Esplanade Association delights in caps made for Arthur Fiedler's giant head, at least right before and right after memorable Boston sportsball happenings:
The Arthur Fiedler Memorial is the work of Ralph Helmick of Newton:
This portrait addresses the mystery of personality and public perception.
Arthur Fielder, the longtime conductor of the Boston Pops Orchestra, was a man whose media image and private persona were at odds.
The sculpture’s esthetic approach engages distance and “knowing” in a dynamic way.
A layered image, it reads most coherently from afar, becoming more abstracted as the viewer draws near, providing a visual parallel for the character of the man.
The Easter Island head of West Roxbury
The final big head on our tour was at Stimson and Grove streets in West Roxbury, where we find this incongruous Easter Island mini-moai, currently sharing yard space with Halloween decorations, but on display year round:
Its provenance, at least publicly, is unknown.
There are even more giant heads in Boston:
Liam alerts us to a statue at the Harvard Business School in Allston called Inés, by yet another Spanish sculptor (OK, what is going on with Spain and big heads?):
Shown with her eyes closed in a state of meditation or dreaming, her serene expression inspires contemplation. Like a hologram, the sculpture changes and shifts perspectives when viewed from different angles.
Brandy gives us a head's up about Gates of Transcendance at the HarborArts Shipyard Gallery in East Boston, which at first glance seems to show somebody with a splitting headache, but is really about much more:
It addresses the idea of transcendence in a number of ways, which the viewer can experience from multiple views. When you face this monumental portrait, you tend to think about life as a whole and its big challenges. From behind the sculpture, you can look through the eyes, as if looking through someone else’s eyes, to see a different perspective. Walking through the Gates of Transcendence is like taking a symbolic journey, breaking free from the habitual facades we all sometimes adopt, and into a clear new view of life.
Did we miss any Boston big-head statues? Let us know in the comments.